91视频

19 August 2024

Female influencers who talk about mental ill-health walk a tightrope between different ideals for women. They deliver the message that you must love yourself and take responsibility for your well-being, while at the same time they have to show humility in order not to appear boastful. This is shown by two new studies from 91视频.

Photographer: Anna Nilsen

In a video, the influencer shows off a company鈥檚 clothing collection while tears run down her cheeks. She does her job even though she is feeling bad. She is strong and weak at the same time.

She is one of four successful Swedish female influencers included in the studies. They were chosen because they often talk about mental ill-health in their videos. The researchers analysed 234 posts and looked at how mental ill-health is described and what health advice is given. The channels have between 150,000 and 1 million followers.

鈥淭he general narrative is that you can solve your health problems if you grin and bear it, but also allow yourself rest and relaxation in a good mix - and buy the products and clothes you need to exercise or treat yourself to something,鈥 summarises Anette Wickstr枚m, senior associate professor at the Department of Thematic Studies - Child Studies at Link枚ping University.

Humble but productive

In the posts, the researchers find traces of neoliberalism and so-called positive psychology that emphasise the individual鈥檚 power and responsibility to influence their own well-being. There is a female ideal of being productive despite everything, while at the same time being humble. Great emphasis is placed on beauty and beauty products. Consumption becomes a path to well-being.

Some of the advice is similar to that given by Sweden鈥檚 municipalities and county councils and the youth clinic websites. In this way, the influencers are shaped by the surrounding society while also being involved in shaping it, according to the researchers.

Balancing roles

The influencers struggle with conflicting roles. They have gained a lot of followers because by sharing personal stories they are perceived as genuine and honest. But success has also given them advertising revenue and they all also collaborate with organisations or foundations that work to combat mental ill-health. They balance the role of trusted friend with the roles of entertainer, advertiser and expert.

鈥淚n one case, we almost saw a cycle through the year of, 鈥榃ell, excuse me, now I鈥檝e shown pictures from four holiday resorts over the summer with fantastic restaurants and lots of pictures of food, so now we must have a serious talk.鈥 And then follows a confession that they don鈥檛 feel so good and 鈥榥ow I want to be a support for you鈥,鈥 says Anette Wickstr枚m.

The importance of relationships

But underneath the strong emphasis on the individual鈥檚 responsibility for their own mental health, there is also something else hiding, the studies show.

鈥淲hen we watch all these videos for a whole year, everyone has an underlying story that it鈥檚 actually their relationships that saved them. Everyone has a close relative who is their total support during certain periods. There鈥檚 a story about how to take care of mental ill-health that is never really raised,鈥 says Anette Wickstr枚m.

The general narrative is that you can solve your health problems if you grin and bear it.

In order to find out who the leading influencers are, Anette Wickstrom and her colleague, associate professor Judith Lind, interviewed 44 teenage girls. These interviews formed the basis for the selection of influencers in the first stage of the research project. The girls were then interviewed about how they as followers perceive the health advice and the descriptions of mental ill-health given. The analysis of these interviews will be the next step in the research project.

The research project, which includes both studies, is funded by the Swedish Research Council for Health, Working Life and Welfare.

Translation: Simon Phillips

Articles: , A Wickstr枚m, J Lind, published 6 June 2024, Learning, Media & Technology, doi: 10.1080/17439884.2024.2363238
, J Lindh, A Wickstr枚m, published 1 November 2023, International Journal of Cultural Studies, Vol. 27, nr 2, s. 217-233, doi: 10.1177/13678779231210583

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